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Mr and ms smith sex

Mr and ms smith sex

Things hot up on the home front, however, when they bodge coinciding missions to rub out the same mark and their respective agencies assign them to eliminate the competition. Gloriously amoral, grown-up fun. As you'd expect from a director who effortlessly flipped from the stylish humour of Swingers and Go to the gritty spy thrills of Bourne, the physical duelling's as deftly handled as the verbal, while he keeps the two inextricably intertwined. Naturally, as undiscovered tribes in the Peruvian jungle could have told them, this is simply foreplay to an epic shag, from which they emerge, drowsy and satiated, amid the symbolic wreckage of their model home. Unbeknown to each other, they're both international assassins. Jane's not a systems analyst and John doesn't work in construction. Aside from being arguably the two most indecently attractive people on the planet, both achieve the perfect balance of self-deprecation and sexual dynamite, never taking anything too seriously. As do oodles of gunplay, outlandish gadgetry and murderously barbed dinner-table quips, darkly mirroring the what's-wrong-with-this-picture? Pitt's at the top of his goofy-cool-guy's-guy game, and it's an unalloyed joy to finally see Jolie land a role worthy of her mettle. One spectacularly staged gunfight deteriorates into a drag-out brawl of quite astonishing ferocity. But all is not as it seems. Vince Vaughn, essaying yet another delusional dimwit as Pitt's boss, is just the icing on a cake that's almost entirely icing to begin with. Flushed with the success of The Bourne Identity and still cashing cult-cred cheques on Swingers, Liman brings every ounce of acid wit and furious style at his disposal to this party. A full-on action flick, subversive rom-com and weapons-grade star vehicle that's drenched in Tinseltown glitz, from a director who knows how to put the money on the screen while his tongue's firmly in his cheek. The caustic tone is set in a title sequence that finds the Smiths squirming their way through a marriage guidance session, a scene you can imagine Jennifer Aniston finding rather less amusing than the rest of us.

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Mr and ms smith sex

Things hot up on the home front, however, when they bodge coinciding missions to rub out the same mark and their respective agencies assign them to eliminate the competition. Gloriously amoral, grown-up fun. As you'd expect from a director who effortlessly flipped from the stylish humour of Swingers and Go to the gritty spy thrills of Bourne, the physical duelling's as deftly handled as the verbal, while he keeps the two inextricably intertwined. Naturally, as undiscovered tribes in the Peruvian jungle could have told them, this is simply foreplay to an epic shag, from which they emerge, drowsy and satiated, amid the symbolic wreckage of their model home. Unbeknown to each other, they're both international assassins. Jane's not a systems analyst and John doesn't work in construction. Aside from being arguably the two most indecently attractive people on the planet, both achieve the perfect balance of self-deprecation and sexual dynamite, never taking anything too seriously. As do oodles of gunplay, outlandish gadgetry and murderously barbed dinner-table quips, darkly mirroring the what's-wrong-with-this-picture? Pitt's at the top of his goofy-cool-guy's-guy game, and it's an unalloyed joy to finally see Jolie land a role worthy of her mettle. One spectacularly staged gunfight deteriorates into a drag-out brawl of quite astonishing ferocity. But all is not as it seems. Vince Vaughn, essaying yet another delusional dimwit as Pitt's boss, is just the icing on a cake that's almost entirely icing to begin with. Flushed with the success of The Bourne Identity and still cashing cult-cred cheques on Swingers, Liman brings every ounce of acid wit and furious style at his disposal to this party. A full-on action flick, subversive rom-com and weapons-grade star vehicle that's drenched in Tinseltown glitz, from a director who knows how to put the money on the screen while his tongue's firmly in his cheek. The caustic tone is set in a title sequence that finds the Smiths squirming their way through a marriage guidance session, a scene you can imagine Jennifer Aniston finding rather less amusing than the rest of us. Mr and ms smith sex

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